Film Criteria Research Paper Example

Film Criteria Research Paper Example Film Criteria Paper Film Criteria Paper Running head Personal Film Evaluation Criteria Paper Personal Film Evaluation Criteria Paper Elizabeth Bryant University of Phoenix Personal Film Evaluation Criteria Flashing back on all the films I have watched over the years I never taken notice to analyze not one of them the way that I have learned in this film study course. My techniques used as of the present time for evaluation the qualities of films has just began because I have started this course. The way how I view films back then is totally different now. Throughout the five weeks of the course I have encountered several techniques and approaches to evaluate films. Viewing films goes deeper than the pleasure and enjoyment as a viewer one must be aware of other aspects and different approaches that go with filmmaking such as auteur cult, psychoanalytical, personality, humanistic, genre, political, gender, and eclectic. I will discuss auteur and genre this two are one of many techniques and approaches that influence my viewing the most. Auteur is one approach that seems to influences my viewing the most because just like a painting, writer, or a musician there is a distinctive difference in the style and practice in the word auteur and auteur theory is a film director who practice accords with the theory. : In others words instead of the actors or storyline bringing the moviegoers or audiences to the theaters it is the directory in auteur films that has this affect and effect. However, definitely consideration of the director’s five film depicts certain style is an auteur. The word auteur first coined to describe the mark of a film director on his films by Francois Truffaut. Therefore, when evaluating a film using the auteur approach, I must take a careful look into the directorial style, reflection of the director vision, the director’s strongest impressions, and personality, his or her unique creativity in shaping the material. Most noted auteur was Alfred Hitchcock, Frederico Fellini, and Satyajtt Ray. Another approach that influenced my viewing is the genre film and genre is a fundamental that means I communicate especially in storytelling unlike the approach to films in auteur theory. One is to focus one particular director on the films however; the genre opens up a much broader films range from different directors from different backgrounds. For example, a film that compared to direct horror movies, but raised in different eras ids described as a Wes Craven film. Although genre approach is developing his or her exceptions clearly stated, it also raises the questions whether expectations filled and that variations and innovations were present in the films. In conclusion, as students and film analysis or critics there are many techniques and approaches to analyzing films whether one is using a genre or auteur approach. Each of these approaches comes with questions to fill the needed exceptions of analyzing films. I can definitely say that my criteria for analyzing the quality of a film have changed because this course started. Meanwhile, when I am watching a film I will be looking at it them in a new prospected and not just the pleasure and enjoyment of the film. When I am watching a film I will look at them in a new prospected and not just the pleasure or enjoyment of the film. Analyzing films in-depth now helps me to have a clear understanding of the director intended purpose, plot, and plan of films I am not saying that all film will affect me in the same way but I need to stay opened-mined. References http://auteur. askdefine. com/ http://plato. stanford. edu/entries/film/ slate. com/id/2152404/

A Short History of the Ball of Goo Called Silly Putty

A Short History of the Ball of Goo Called Silly Putty Silly Putty, one of the most popular toys of the 20th century, was invented accidentally. Find out what a war, an indebted advertising consultant, and a ball of goo have in common. Rationing Rubber One of the most important resources needed for World War II war production was rubber. It was essential for tires (which kept the trucks moving) and boots (which kept the soldiers moving). It was also important for gas masks, life rafts, and even bombers. Beginning early in the war, the Japanese attacked many of the rubber-producing countries in Asia, drastically affecting the supply route. To conserve rubber, civilians in the United States were asked to donate old rubber tires, rubber raincoats, rubber boots, and anything else that consisted at least in part of rubber. Rations were placed on gasoline to hinder people from driving their cars. Propaganda posters instructed people in the importance of carpooling and showed them how to care for their household rubber products so they would last the duration of the war. Inventing a Synthetic Rubber Even with this home-front effort, the rubber shortage threatened war production. The government decided to ask U.S. companies to invent a synthetic rubber that had similar properties but that could be made with non-restricted ingredients. In 1943, engineer James Wright was attempting to discover a synthetic rubber while working in General Electrics laboratory in New Haven, Connecticut when he discovered something unusual. In a test tube, Wright had combined boric acid and silicone oil, producing an interesting gob of goo. Wright conducted a multitude of tests on the substance and discovered it could bounce when dropped, stretch farther than regular rubber, didnt collect mold, and had a very high melting temperature. Unfortunately, though it was a fascinating substance, it didnt contain the properties needed to replace rubber. Still, Wright assumed there had to be some practical use for the interesting putty. Unable to come up with an idea himself, Wright sent samples of the putty to scientists around the world. However, none of them found a use for the substance either. An Entertaining Substance Though perhaps not practical, the substance continued to be entertaining. The nutty putty began to be passed around to family and friends and even taken to parties to be dropped, stretched, and molded to the delight of many. In 1949, the ball of goo found its way to Ruth Fallgatter, an owner of a toy store who regularly produced a catalog of toys. Advertising consultant Peter Hodgson convinced Fallgatter to place globs of the goo in plastic cases and add it to her catalog. Selling for $2 each, the bouncing putty outsold everything else in the catalog except for a set of 50-cent Crayola crayons. After a year of strong sales, Fallgatter decided to drop the bouncing putty from her catalog. The Goo Becomes Silly Putty Hodgson saw an opportunity. Already $12,000 in debt, Hodgson borrowed another $147 and bought a large quantity of the putty in 1950. He then had Yale students separate the putty into one-ounce balls and place them inside red plastic eggs. Since bouncing putty didnt describe all of the puttys unusual and entertaining attributes, Hodgson thought hard about what to call the substance. After much contemplation and numerous options suggested, he decided to name the goo Silly Putty and to sell each egg for $1. In February 1950, Hodgson took Silly Putty to the International Toy Fair in New York, but most people there did not see the potential for the new toy. Luckily, Hodgson did manage to get Silly Putty stocked at both Nieman-Marcus and Doubleday bookstores. A few months later, a reporter for The New Yorker stumbled across Silly Putty at a Doubleday bookstore and took home an egg. Fascinated, the writer wrote an article in the Talk of the Town section that appeared on August 26, 1950. Immediately, orders for Silly Putty started pouring in. Adults First, Then Children Silly Putty, marked as The Real Solid Liquid, was at first considered a novelty item (i.e. a toy for adults). However, by 1955 the market shifted and the toy became a huge success with children. Added to bouncing, stretching, and molding, kids could spend hours using the putty to copy images from comics and then distort the images by bending and stretching. In 1957, kids could watch Silly Putty T.V. commercials that were strategically placed during The Howdy Doody Show and Captain Kangaroo. From there, there was no end to the popularity of Silly Putty. Children continue to play with the simple gob of goo often referred to as the toy with one moving part. Did You Know... Did you know that astronauts on the 1968 Apollo 8 mission took Silly Putty with them to the moon?Did you know that the Smithsonian Institution included Silly Putty in its exhibit on the 1950s?Did you know that Binney Smith, the makers of Crayola, bought the rights to Silly Putty in 1977 (after Peter Hodgson passed away)?Did you know that you can no longer copy images onto Silly Putty from the comics because of the change in the inking process?Did you know that people did finally discover numerous practical uses for Silly Putty, including as a balance for a wobbly piece of furniture, lint remover, hole stopper, and a stress reliever?